krishna

Krishna is a deity worshipped across many traditions in Hinduism in a variety of perspectives. While many Vaishnava groups recognize him as an avatar of Vishnu, other traditions within Krishnaism consider Krishna to be svayam bhagavan, or the Supreme Being.
Krishna is often depicted as an infant, as a young boy playing a flute as in the Bhagavata Purana,[1] or as a youthful prince giving direction and guidance as in the Bhagavad Gita.The stories of Krishna appear across a broad spectrum of Hindu philosophical and theological traditions. They portray him in various perspectives: a god-child, a prankster, a model lover, a divine hero and the Supreme Being.The principal scriptures discussing Krishna's story are the Mahābhārata, the Harivamsa, the Bhagavata Purana and the Vishnu Purana.
The various traditions dedicated to different manifestations of Krishna, such as Vasudeva, Bala Krishna and Gopala, existed as early as 4th century BC. The Krishna-bhakti Movement spread to southern India by the 9th century AD, while in northern India Krishnaism schools were well established by 11th century AD. From the 10th century AD, with the growing Bhakti movement, Krishna became a favorite subject in performing arts and regional traditions of devotion developed for forms of Krishna such as Jagannatha in Orissa, Vithoba in Maharashtra and Shrinathji in Rajasthan.Krishna is easily recognized by his representations. Though his skin colour may be depicted as black or dark in some representations, particularly in murtis, in other images such as modern pictorial representations, Krishna is usually shown with blue skin. He is often shown wearing a yellow silk dhoti and peacock feather headgear. Common depictions show him as a little boy, or as a young man in a characteristic relaxed pose, playing the flute.[14][15] In this form, he usually stands with one leg bent in front of the other and raises a flute to his lips, accompanied by cows, emphasising his position as the divine herdsman, Govinda, or with the gopis (milkmaids).
The scene on the battlefield of Kurukshetra, notably where he addresses Arjuna in the Bhagavad Gita, is another common subject for representation. In these depictions, he is shown as a man, often shown with typical god-like characteristics of Hindu religious art, such as multiple arms or heads, denoting power, and with attributes of Vishnu, such as the chakra or in his two-armed form as a charioteer.
Representations in temples often show Krishna as a man standing in an upright, formal pose. He may be alone, or with associated figures: his brother Balarama and sister Subhadra, or his main queens Rukmini and Satyabhama.
Often, Krishna is pictured with his gopi-consort Radha. Manipuri Vaishnavas do not worship Krishna alone, but as Radha Krishna, a combined image of Krishna and Radha. This is also a characteristic of the schools Rudra and Nimbarka sampradaya,as well as that of Swaminarayan faith. The traditions celebrate Radha Ramana murti, who is viewed by Gaudiyas as a form of Radha Krishna.
Krishna is also depicted and worshipped as a small child ( the child Krishna), crawling on his hands and knees or dancing, often with butter in his hand. Regional variations in the iconography of Krishna are seen in his different forms, such as Jaganatha of Orissa, Vithoba of Maharashtra and Shrinathji in Rajasthan.

Bagalamukhi

"Bagalamukhi" is derived from "Bagala" (distortion of the original Sanskrit root "valgā") and "mukha", meaning "bridle" and "face", respectively. Thus, the name means one whose face has the power to capture or control. She thus represents the hypnotic power of the Goddess.
The name literally means “crane faced,” though this is a misnomer. The name 'Bagla' is . She has a golden complexion and her cloth is yellow. She sits in a golden throne in the midst of an ocean of nectar full of yellow lotuses. A crescent moon adorns her head. Two descriptions of the goddess are found in various texts- The 'Dwi-BhujA' (two handed), and the 'ChaturbhujA' (Four handed).
The Dwi-BhujA depiction is the more common, and is described as the 'Soumya' or milder form. She holds a club in her right hand with which she beats the demon, while pulling his tongue out with her left hand. This image is sometimes interpreted as an exhibition of stambhana, the power to stun or paralyse enemy into silence. This is one of the boons for which Bagalamukhi’s devotees worship her. Other Mahavidya goddesses are also said to represent similar powers useful for defeating enemies, to be invoked by their worshippers through various rituals.
Bagalamukhi is also called a 'Pitambaradevi' or 'Brahmastra Roopini", Bagalamukhi turns each thing into its opposite. She turns speech into silence, knowledge into ignorance, power into impotence, defeat into victory. She represents the knowledge whereby each thing must in time becomes its opposite. As the still point between dualities she allows us to master them. To see the failure hidden in success, the death hidden in life, or the joy hidden in sorrow are ways of contacting her reality. Bagalamukhi is the secret presence of the opposite wherein each thing is dissolved back into the Unborn and the Uncreate.

Budhanilkantha

Located here is a Deity of Lord Vishnu, Vishnu (Narayan) Jalasayana, lying on Ananta Sesa, in the cosmic ocean. The Deity is over 1,000 years old. Lord Vishnu is about 5m (17 ft) long and is lying in a 13m (43 ft) long tank, as if floating, with His legs crossed. His four hands hold the four symbols of Vishnu: the chakra (disc), club, and conch-shell and lotus flower. Budhanilkantha literally means “old blue-throat.” Ananta has 11-hooded heads. It is believed that the deity was carved in the 7th or 8th century during the Licchavi period.Hindus can walk down the steps and touch His feet, but foreigners cannot.
The main festival of the year is when Lord Vishnu, who sleeps on the cosmic ocean during Caturmasya period wakes up on the Haribondhini Ekadashi day in late October or early November. Many thousands of people come on this day.
Three other images of Lord Vishnu were carved at the same time. One is here at Budhanilkantha and is considered the most important and original, one is at Balaju Gardens, and one is at the old Royal Palace in Kathmandu, but can not be viewed by tourist. The king of Nepal is not allowed to see the deity at Budhanilkantha, but he can see the other two deities. It is believed if the king sees this deity of Vishnu he will die immediately.
The deity of Budhanilkantha was lost for a while and was later rediscovered by a farmer. It is believed that the farmers struck the buried deity with his plough and that blood came out from the ground.The morning puja between 9 and 10 am is interesting.
PracticalitiesBudhanilkantha is about 8km northeast of Kathmandu and 15km from Thamel, at the base of Sivapuri hill.

Durga Mata

Durga or Maa Durga (Mother Durga) "one who can redeem in situations of utmost distress". Durga is a form of Devi, the supremely radiant goddess, depicted as having ten arms, riding a lion or a tiger, carrying weapons (including a lotus flower), maintaining a meditative smile, and practicing mudras, or symbolic hand gestures.
An embodiment of creative feminine force (Shakti), Durga exists in a state of svātantrya (dependence on the universe and nothing/nobody else, i.e., self-sufficiency) and fierce compassion. Durga is considered by Hindus to be an aspect of Kali, and the mother of Ganesha, Saraswati, Lakshmi and Kartikeya. She is thus considered the fiercer, demon-fighting form of Lord Shiva's wife, Goddess Parvati. Durga manifests fearlessness and patience, and never loses her sense of humor, even during spiritual battles of epic proportion.The word Shakti, means divine feminine force, and Durga is the warrior aspect of the Divine Mother. Other incarnations include Annapurna and Karunamayi (karuna = kindness). Durga's darker aspect Kali is represented as the consort of god Shiva, on whose body she is often seen standing.
Durga's form is blindingly bright, as a radiant goddess (devi), with three lotus-like eyes, ten powerful hands, lush hair with beautiful curls, a red-golden glow from her skin and a quarter moon on her forehead. She wears a shiny attire emitting fierce rays. Her jewellery is beautifully made of gold with ocean pearls and precious stones embedded in it.

Durga Slays Mahisasura, Mahabalipuram sculpture.
As a goddess, Durga's feminine power contains the energies of the gods. Each of her weapons was gifted to her by various gods: Rudra's trident, Vishnu's discus, Indra's thunderbolt, Brahma's kamandalu, Kuber's Ratnahar, etc.
According to a narrative in the Devi Mahatmya story of the Markandeya Purana text, Durga was created as a warrior goddess to fight an asura (an inhumane force/demon) named Mahishasur. He had unleashed a reign of terror on earth, heaven and the nether worlds, and he could not be defeated by any man or god, anywhere. The gods went to Brahma, who had given Mahishasura the power to be the invincible conqueror of the universe. Brahma could do nothing. They made Brahma their leader and went to Vaikuntha — the place where Vishnu lay on Ananta Naag. They found both Vishnu and Shiva, and Brahma eloquently related the reign of terror Mahishasur had unleashed on the three worlds. Hearing this Vishnu, Shiva and all of the gods became very angry and beams of fierce light emerged from their bodies. The blinding sea of light met at the Ashram of a priest named Katyan. The goddess Durga took the name Katyani from the priest and emerged from the sea of light. She introduced herself in the language of the Rig-Veda, saying she was the form of the supreme Brahman who had created all the gods. Now she had come to fight the demon to save the gods. They did not create her; it was her lila that she emerged from their combined energy. The gods were blessed with her compassion.
It is said that upon initially encountering Durga, Mahishasura underestimated her, thinking: "How can a woman kill me, Mahishasur — the one who has defeated the trinity of gods?" However, Durga roared with laughter, which caused an earthquake which made Mahishasur aware of her powers.
And the terrible Mahishasur rampaged against her, changing forms many times. First he was a buffalo demon, and she defeated him with her sword. The he changed forms and became an elephant that tied up the goddess's tiger and began to pull it towards him. The goddess cut off his trunk with her Khorgo. The demon Mahishasur continued his terrorizing, taking the form of a lion, and then the form of a man, but both of them were gracefully slain by the goddess Durga.
Then Mahishasur began attacking once more, starting to take the form of a buffalo again. The patient goddess became very angry, and as she sipped divine wine from a cup she smiled and proclaimed to Mahishasur in a colorful tone — "Roar with delight while you still can, O illiterate demon, because when I will kill you after drinking this, the gods themselves will roar with delight". When Mahashaur had half emerged into his buffalo form, he was paralyzed by the extreme light emitting from the goddess's body. The goddess then resounded with laughter before cutting Mahishasur's head down with her Khorgo.
Thus Durga slew Mahishasur, thus is the power of the fierce compassion of Durga. Hence Mata Durga is also known as Mahishasurmardhini — the slayer of Mahishasur

Saraswati Mata

Saraswati is the goddess of knowledge, music and the arts. Saraswatī has been identified with the Vedic Saraswati River. She is considered as consort of education. She is the daughter of Durga and is seen alongside her during Durga Puja celebrations along with her sister Lakshmi and her brothers Ganesh and karthikeya. Saraswati's children are the Vedas, which are the oldest sacred texts of HinduismThe Goddess Saraswati is often depicted as a beautiful, white-skinned woman dressed in pure white often seated on a white Nelumbo nucifera lotus (although Her actual vahana is believed to be a swan), which symbolizes that she is founded in the experience of the Absolute Truth. Thus, she not only has the knowledge but also the experience of the Highest Reality. She is mainly associated with the color white, which signifies the purity of true knowledge. Occasionally, however, she is also associated with the colour yellow, the colour of the flowers of the mustard plant that bloom at the time of her festival in the spring. She is not adorned heavily with jewels and gold, unlike the goddess Lakshmi, but is dressed modestly — perhaps representing her preference of knowledge over worldly material things.
She is generally shown to have four arms, which represent the four aspects of human personality in learning: mind, intellect, alertness, and ego. Alternatively, these four arms also represent the 4 Vedas, the primary sacred books for Hindus. The Vedas, in turn, represent the 3 forms of literature:
Poetry — the Rigveda contains hymns, representing poetry
Prose — Yajurveda contains prose
Music — Samaveda represents music.

Ganesh Bhagawan

Ganesha also spelled Ganesa or Ganesh and also known as Ganapati, Vinayaka, and Pillaiyar, is one of the best-known and most widely worshipped deities in the Hindu pantheon.His image is found throughout India.Hindu sects worship him regardless of affiliations.Devotion to Ganesha is widely diffused and extends to Jains, Buddhists, and beyond India.
Although he is known by many other attributes, Ganesha's elephant head makes him easy to identify.Ganesha is widely revered as the Remover of Obstaclesand more generally as Lord of Beginnings and Lord of Obstacles (Vighnesha, Vighneshvara),patron of arts and sciences, and the deva of intellect and wisdom.He is honoured at the beginning of rituals and ceremonies and invoked as Patron of Letters during writing sessions. Several texts relate mythological anecdotes associated with his birth and exploits and explain his distinct iconography.
Ganesha emerged a distinct deity in clearly recognizable form in the 4th and 5th centuries CE, during the Gupta Period, although he inherited traits from Vedic and pre-Vedic precursors. His popularity rose quickly, and he was formally included among the five primary deities of Smartism (a Hindu denomination) in the 9th century. A sect of devotees called the Ganapatya, who identified Ganesha as the supreme deity, arose during this period.The principal scriptures dedicated to Ganesha are the Ganesha Purana, the Mudgala Purana, and the Ganapati Atharvashirsa.

Swayambhunath

Swayambhunath is an ancient religious complex atop a hill in the Kathmandu Valley, west of Kathmandu city. It is also known as the Monkey Temple as there are holy monkeys living in parts of the temple in the north-west. The Tibetan name for the site means 'Sublime Trees' for the many varieties of trees found on the hill. However, Shing.kun may be a corruption of the local Newari name for the complex, Singgu, meaning 'self-sprung'. For the Buddhist Newars in whose mythological history and origin myth as well as day-to-day religious practice, Swayambhunath occupies a central position, it is probably the most sacred among Buddhist pilgrimage sites. For Tibetans and followers of Tibetan Buddhism, it second only to Boudhanath.
The Swayambhunath complex consists of a stupa, a variety of shrines and temples, some dating back to the Licchavi period. A Tibetan monastery, museum and library are more recent additions. The stupa has Buddha's eyes and eyebrows painted on. Between them, there is something painted which looks like the nose - but is the Nepali symbol of 'unity', in the main Nepali language dialect. There are also shops, restaurants and hostels. The site has two access points: a long stairway, claimed to have 365 steps, leading directly to the main platform of the temple, which is from the top of the hill to the east; and a car road around the hill from the south leading to the southwest entrance. The first sight on reaching the top of the stairway is the Vajra. Tsultrim Allione describes the experience:
We were breathless and sweating as we stumbled up the last steep steps and practically fell upon the biggest vajra (thunder-bolt scepter) that I have ever seen. Behind this vajra was the vast, round, white dome of the stupa, like a full solid skirt, at the top of which were two giant Buddha eyes wisely looking out over the peaceful valley which was just beginning to come alive.
Much of Swayambhunath's iconography comes from the Vajrayana tradition of Newar Buddhism. However, the complex is also an important site for Buddhists of many schools, and is also revered by Hindus.